I am very pleased to announce that this coming year we are going to be adding something new to our Tetons and Yellowstone photography workshops. There are two books that I view to be absolute essentials for serious wildlife photographers. The first is Peterson’s Reference Guide to the Behavior of North American Mammals. The second is Mammal Tracks & Sign: A Guide to North American Species. Mark Elbroch authored both of these books and he will be joining us on upcoming workshops to discuss tracking skills necessary for serious wildlife photographers!
Dr. Mark Elbroch has authored 10 books on Natural History, and dozens of scientific papers. This guy is very well known among naturalists, trackers, and field biologists as one of the top minds in his field. In addition to the above credentials, he is also the project leader for the Teton Cougar Project.
I cannot begin to express what an incredible opportunity that this will provide participants of these upcoming workshops. We are constantly striving to go above and beyond with the workshops that we organize – focusing on photographic instruction, environmental education, experience based learning, and good old fashion adventure. For this reason, we believe that the addition of discussions led by Mark Elbroch will further our goals of offering you the best experience and photography workshop possible.
Want to know more about Mark Elbroch? Check out his bio through the big cat conservation group Panthera: http://www.panthera.org/node/3034
Want to check out the Peterson’s Reference Guide to the Behavior of North American Mammals? Check it out here via Amazon: http://www.amazon.com/Behavior-American-Mammals-Peterson-Reference/dp/0618883452/ref=sr_1_1?ie=UTF8&qid=1323822063&sr=8-1
Want to check out mammal tracking Bible that Mark wrote entitled Mammal Tracks & Sign: http://www.amazon.com/Mammal-Tracks-Sign-American-Species/dp/0811726266/ref=pd_bxgy_b_img_y
Driving along the base of the Gros Ventre Mountains in Jackson Hole, we were making our way to a river bottom to catch up with the moose rut this morning. As luck would have it however, this young bull moose stopped us dead in our tracks as he worked his away across Antelope Flats. With steam rising into the morning air from a small creek fueled by the Kelly Warm Springs, the peaks above treeline in the Tetons Range began to light up with alpenglow in the background, there was just no way we could pass up the opportunity for photographing this bull against this idyllic setting. Not a bad way to end this year’s fall photography workshop in Jackson Hole!
Sometimes things just come together for you!
Its simply impossible to escape the Tetons and Jackson Hole this time of year without being mesmerized by the explosion of colors across the landscape. From the reds of mountain maples to the orange of narrowleafed cottonwood trees, and let us not forget the amazing genetic and color diversity of the different aspen stands that also range from yellow to red on their own.
Photographing fall color is not just about capturing the grand landscapes with Autumn hues painted across the scene. Personally, I prefer to chase down these sort of abstract intimate landscapes in the fall. Viewing photographs like this are like looking through a window peering into a forest. Photographs of this nature are all about design and therefore make for good print sales because of their universal appeal.
When I am visually exploring a patch of brilliantly colored forest like this, I am looking to bring order out of chaos. The vertical lines of the aspens become the primary consideration in terms of the composition, followed next by how the color falls across the scene. For my lens choice, I used a Nikon 200-400mm lens at 200mm for this photograph in order to compress the perspective through the forest. In order to further this, I then chose an f/stop of f/8 so as to insure maximum focus across both inside and out of the forest. Photographing this scene in light overcast conditions helped to significantly reduce contrast but left enough light so as to make everything pop. Though exposure rules for digital photograph remain in place while in the field, keep in mind that in film days we underexposed photographs just a bit in order to increase saturation. So once brought into LR or PS consider bringing down the exposure just a touch and bring down the midtones with a curve layer for increase richness in the color of the leaves.
The weather has been an absolute horror these last few days in Jackson Hole. Rain, rain, and then more rain. This morning we had a little change with a touch of snow, but not enough to do anything for us in terms of our photography. With all of this crazy weather, the wildlife photography has been somewhat hit and miss. Sure we have photographed massive bull moose and black bears, but over all things have been a lot slower this year.
Luckily though, this is Jackson Hole we are talking about. Wildlife, though it may be my particular cup of tea, is not the only game in town when it comes to photography. Let’s not forget that this place also happens to be one of the top landscape photography locations in North America as well. So when nature tosses you lemons, you put a shorter lens on and make lemonade.
This photograph is from Lupine Meadows at the base of the Tetons – a particularly favorite location of mine for capturing some of the more subtle details of the Tetons range. With gold and reds mixed in with the dark green of the spruce and fir trees on these lower ridge lines, the pulsating clouds that crept up and down the mountain all morning made for some really cool scenics.
The fun part about photographing situations like this is that these moments are evanescent. The scene is constantly changing as the fog rolls down and lifts up, breaks apart in one place, and thickens in another. From one minute to the next, completely new compositions reveal themselves and then disappear forever. It can be trying at first to wrap your mind around compositions when they are so fleeting. However, given a touch of patience you begin to see the different possibilities before they actually occur and with time begin to create order out of chaos.
The two ridge lines cutting across the photograph offer strong compositional elements thanks to the repetition and diagonal lines they create. Once visually found, this became my base from which I knew I wanted to create a photograph of. When the fog comes rolling through like this in the Rocky Mountains, the scene can quickly become very monochromatic in nature. With the splash of color thanks to the hues of Autumn, I was able to do so much more. After I developed a general idea of what my composition was going to be, it was then a matter of waiting out the fog. As it rolled up and down, new scenes and even elements revealed themselves until finally, the one that I had pre-visualized in my head began to develop.
ISO 250 | f/11 | 1/15th | 200mm | D4
With a chance of snow in the immediate forecast, the golden hues of aspen and narrow leaf cottonwoods lighting up the edges of the forest, the evening bugles of elk filling the air, and the moose, those lumbering giants of the river valleys battling it out for the hearts and minds of the ladies all across the valley, I can honestly say there is no place else I would rather be right now! This place is like Hotel California. You can check out any time you want, but you can never leave. Given that we made the monumental decision to pack up and move across the country to North Carolina in order to film a documentary, coming back out here two months later like this and experiencing everything that I love about this place in just one single day has me already looking trying to find a rental house to pack up and move back out here to.
North Carolina is a strange place. Its on the list of the top ten most biologically diverse places in the United States. On the western side of the state there is the Smoky Mountains which harbors more species of trees than the entire continent of Europe and is literally the salamander capital of the world. Moving east you then find the long leaf pine savannas such as the biogem known as the Green Swamp that harbors more species of carnivorous plants than anyplace else in the world. This is a truly extraordinary place. Continue reading
Yesterday on September 23, 2014 Wyoming wolves were once again brought under the protective folds of the Endangered Species Act. A judge overturned the 2012 ruling that gave Wyoming control over small population of wolves living in that state.
As soon as Wyoming obtain legal control over wolves, they were immediately listed as an animal that could be shot on sight or killed by whatever means necessary in 75% of the state. The remaining quarter which are those areas around the National Parks, a hunting season was established and tags were being sold for around $25.
This is tremendous news and comes about from so any people and organizations fighting tirelessly to stop Wyoming from erasing decades worth of hard work and millions in tax payer dollars that was spent to bring the wolf, and apex predator and crucial ingredient to the Rocky Mountains’ ecosystems back from extinction in that area.
For more information on this court decision check out: http://www.spokesman.com/blogs/outdoors/2014/sep/23/court-reinstates-endangered-status-wyoming-wolves/
After I finished up with my responsibilities at WNC Fotofest in Montreat North Carolina this weekend, I just could not help but notice how close I was to the Smoky Mountains. Great Smoky Mountains National Park is one of my absolute favorite places in the country to photograph. Biologically speaking, its the most biodiverse location in North America. There are more species of trees in this national park than the entire continent of Europe! From wildflowers to wildlife this place is very much unlike any other place we have in North America.
Now, with all of this said, Great Smoky Mountains National Park does not give up its really good wildlife opportunities easily – especially with the bears. Continue reading
I had just pulled my boat into the protected bay inside of the marsh where these horses were feeding. I was still actually idling my way in when this whole scenario began to unfold and really had no time to get myself into position, the boat anchored securely, and me and my gear into the water and set up on a shoal (sandbar) to shoot this.
Realizing I was in a sort of do or die moment here, I chucked the anchor of the bow, ran back to my camera, wrapped my leg around the chrome pole to the hardtop over the center console of my boat, and then hurled my body over the side of the boat. The result was me dangling head first over the water with me ankles hanging onto that pole for dear life.
So it’s been a minute since I have updates this here Photographer’s Journal. Busy summer to say the least. I kind of have this whole Johnny Cash thing going on in the back of my head. . . “Ive been everywhere man”
One of my recent projects was working on another episode of Wild Photo Adventures. We were actually supposed to do another wild horse show – though in Montana / Wyoming not North Carolina. However, due to permit weirdness this year we had to switch gears at literally the last minute. Faced with the decision to cancel a show, I decided that we could pull off an episode photographing grizzlies high up in the Absaroka Mountains of Wyoming.
I chose to focus on bears in this mountain range simply because it was NOT one of the national parks. That meant that we would be on our own. No people. No distractions. Fewer restrictions. So hopefully better photography.
Season 5 of Wild Photo Adventures airs this winter on PBS. So keep your eyes open for our show on photographing grizzlies in Wyoming.